

UPCOMING WORKSHOPS FOR CLIENTS DEALING WITH EMOTIONAL DISTRESS: CRITICAL THEORY DISCUSSION CLASS One workshop includes articles based on critical theory. Critical theory is defined as a process of examination that allows one to unveil the structure of fundamental social practices and thus the potential distortions of society that are within these customs. The critical theory workshop seeks to enliven one’s consciousness of the existing perceptions that structure social institutions. This theory understands objective knowledge as illusory and focuses on subjective knowledge which recognizes all data as historical and biased. This workshop incorporates and raises discussion on articles that explore sexism, racism, homophobia, internal sexism, internal racism, and internal homophobia. A reader that includes articles by Bell Hooks, Michel Foucault, Judith Butler, and Chandra Mohanty is provided. RE-EVALUATION CO-COUNSELING According to Re-evaluation Counseling website (www.rc.org), re-evaluation counseling is a process in which people of all ages and backgrounds free themselves from the effects of past distresses by learning how to exchange effective help with one another. This theory provides a model of how one can behave when in the area of a distressful interaction. The re-evaluation counseling theory assumes that everyone is born with tremendous intellectual potential, natural zest, and lovingness, but that these qualities have become blocked and obscured in adults as the result of accumulated distressful experiences (fear, hurt, loss, pain, anger, embarrassment, etc.), which begin early in our lives. In recovering and using the natural discharge process, two people take turns counseling and being counseled. The one acting as the counselor listens, draws the other out and permits, encourages, and assists emotional discharge. The one acting as client talks and discharges and re-evaluates. With experience and increased confidence and trust in each other, the process works increasginly better. Any young person would recover from such distress spontaneously by use of the natural process of emotional discharge (crying, trembling, raging, laughing, etc.). However, this natural process is usually interfered with by well-meaning people ("Don't cry," "Be a big boy," etc.) who erroneously equate the emotional discharge (the healing of the hurt) with the hurt itself. When adequate emotional discharge can take place, the person is freed from the rigid pattern of behavior and feeling left by the hurt. The basic loving, cooperative, intelligent, and zestful nature is then free to operate. Such a person will tend to be more effective in looking out for his or her own interests and the interests of others, and will be more capable of acting successfully against injustice. THEATER OF THE OPPRESSED WORKSHOP According to Douglas Paterson (http://www.wwcd.org/action/Boal.html), the Theatre of the Oppressed workshop consists of physical interactions that are designed to challenge people to truly listen to what they hear, listen to whar they touch, and see what they look for. These activities serve to heighten one’s senses, demechanize the body, and get one out of habitual behavior in order to move beyong habitual thinking and interacting. This workshop utilizes the human body as a tool of representing feelings, ideas, and relationships. Through sculpting others or using one’s own body to demonstrate a body position, clients are able to create anything from one-person to large-group videos that reflect their impressions of a situation or form of oppression. These videos can be virtual one-act plays or more often short scenes. In either case, a full presentation is offered to the audience. The joker (difficultator) then says to the audience we will do this again, and if you would do something different than what the protagonist (not the antagonists) is doing, stand up and yell stop. The protagonist will then sit down and the audience member is invited forward to show their solution of the moment. Once the intervention is performed, the audience invariably applauds, and the joker invites the audience to discuss the proposed solution, and to offer even more solutions. At the conclusions of these exercises, the original scenes are replayed with the intention that the protagonists will have learned more about how to handle their distressful interaction. WRITING WORKSHOPS This workshop is facilitated by Jen Cross (writingourselveswhole.org), who holds a Revelation Writers class for clients. According to Ms. Cross, the aim of this workshop is to change the world through writing. By opening our hearts to ourselves and each other, we seek to live in a community of deep expressiveness and self-love and where each individual reaches his and her most complete self. We also envision a community that is aware of its full breadth and power and as a result risks speaking the truth to power since it has been heard and received by its peers. We intend to create an empowered community that is able to effect change. We exist in the service of transforming trauma and/or struggles around sexuality into art and thus creating spaces in which individuals may come to recognize the artist/writer within. |

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